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- Large Celtic Harps |
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Large Celtic Harps ... ... have evolved from the traditional Celtic harps. The name "Celtic" stands for the geographical origin of the instrumentsIreland, Scotland, Wales, and Brittany. Silmaril, the big Celtic harp, is a re-shaped harp with optimised sound characteristics that I designed and developed further. The soundboard is open at the bottom end and thus able to resonate freely, resulting in a rich and appropriate bass sound.
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![]() Type "Silmaril" II |
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![]() Modell "Silmaril" I |
Silmaril the Large Celtic Harp The large Celtic harp, with a range of 36 strings (A-a''' or H-h''', Nylon or gut), allows you to work in a joyful and professional manner. The Silmaril is available in three different variations:
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Large Celtic Harp - Gothic Design In addition, many other individual design features can be realised, which add a personal and original character to the harp.
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![]() Type "Silmaril III" with 'Gothic' design |
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Small Celtic Harps Type "John Egan" and "Teirtu" |
![]() Type "Teirtu" |
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![]() Type "Teirtu" |
Similar to the Silmaril, the sound board can resonate freely, providing a stronger bass section. Due to the low weight and the good portability, these harps are ideal for beginners (height ca. 125 cm, weight ca. 8,5 kg). |
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The "John Egan" type is derived from a 19th Century Irish harp. "Teirtu" was originally developed for a harp making course in 1991, but turned out to look very well in its class. Both types are very similar in their basic design. |
![]() Modell "John Egan" |
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